ENRIQUE HANEINE

(917)763-4994

UNLAYERED
ENRIQUE HANEINE
brand new album
released April 3, 2020 with 11 original compositions.
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THE MIND'S MURAL
ENRIQUE HANEINE
album released August 24, 2018 with 11 original compositions.
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INSTANTS OF TIME
ENRIQUE HANEINE
album released January 8, 2016 with 13 original compositions.
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Available at all fine retailers

Latest News and Reviews

What people are saying . . .

"Technically, pianist Enrique Haneine . . . [is] first-rate, to say the least."
Budd Kopman, critic, All About Jazz

AGRAZING MAZE CD REVIEWS:

"The title piece [At the End of the Day] is a Haneine composition that, with its relaxing piano-led tempo, would be a most welcome respite for one's cerebral regrouping after a long day. In addition, Haneine contributes the sprightly percussive Gerber Blender and the delightfully open We Apologize For the Inconvenience. The former titillates with varying thematic content and textures . . . ."
Elliott Simon, critic, All About Jazz

"Pianist Enrique Haneine contributes three original tunes. We Apologize For the Inconvenience is quite eclectic—at moments sparse and angular, at others funky with a pocket. Also penned by Haneine, Gerber Blender has a quirky, hole-filled melody . . . . The final tune by the pianist is the ballad At the End of the Day—but don't expect the tension or level of interaction to decrease just because this is a ballad."
Dave Miele, critic, Jazz Improv

"Pianist Haneine played engrossing, impressionistic solos and accompaniment that were simply beautiful ."
Tom Pierce, Albany Jazz

"Enrique Haneine trio ... Some of the finest pure jazz musicians I have ever seen.. ."
Patrick Schiavino, artist

AFROMANTRA CD REVIEW:

"This track [Transparencias] is particularly intense because of its unique pacing - although the melodic voice that flutters into the rhythm occasionally is light and crisp, [as] Enrique Haneine's piano rises and falls breathlessly . . . .
[And in] Secret Love, Haneine's piano once again tumbles down an abstract staircase and leaves the listener feeling a bit melancholic."
Ashley Chappell, critic