ENRIQUE HANEINE

What people are saying . . .

"Technically, pianist Enrique Haneine . . . [is] first-rate, to say the least."

Budd Kopman, critic, All About Jazz

AGRAZING MAZE CD REVIEWS:

"The title piece [At the End of the Day] is a Haneine composition that, with its relaxing piano-led tempo, would be a most welcome respite for one's cerebral regrouping after a long day. In addition, Haneine contributes the sprightly percussive Gerber Blender and the delightfully open We Apologize For the Inconvenience. The former titillates with varying thematic content and textures . . . ."

Elliott Simon, critic, All About Jazz

"Pianist Enrique Haneine contributes three original tunes. We Apologize For the Inconvenience is quite eclectic—at moments sparse and angular, at others funky with a pocket. Also penned by Haneine, Gerber Blender has a quirky, hole-filled melody . . . . The final tune by the pianist is the ballad At the End of the Day—but don't expect the tension or level of interaction to decrease just because this is a ballad."

Dave Miele, critic, Jazz Improv

"Pianist Haneine played engrossing, impressionistic solos and accompaniment that were simply beautiful ."

Tom Pierce, Albany Jazz

AFROMANTRA CD REVIEW:

"This track [Transparencias] is particularly intense because of its unique pacing - although the melodic voice that flutters into the rhythm occasionally is light and crisp, [as] Enrique Haneine's piano rises and falls breathlessly . . . .

[And in] Secret Love, Haneine's piano once again tumbles down an abstract staircase and leaves the listener feeling a bit melancholic."

Ashley Chappell, critic

"Enrique Haneine trio ... Some of the finest pure jazz musicians I have ever seen.. ."

Patrick Schiavino, artist

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